As a Script Supervisor, I support directors on set to protect their freedom in the edit. This means making sure that their preferred performances and shots will cut together well in the finished film.

I do this by monitoring take to take and story continuity, eye line & screen direction. I also provide detailed notes for the editor to help them understand the director’s choices on set. I work digitally using Scriptation software.

Continuity is never the most important thing when making a film! A good performance, for example, is much more important. I flexibly problem solve to protect the director’s vision in the edit given the idiosyncrasies of each shoot.

“I worked with Rosie on my first ever narrative project, Glory. It was my most ambitious project to date, and although I’ve always had a strong visual vision, I wasn’t always aware of continuity or the practical things that ended up being crucial during the edit. Rosie was great at flagging these things and communicating clearly with me and the crew.

She also contributed to a great atmosphere on set,  she was super friendly and approachable while also knowing when to give me space when needed. She also gave my editor's notes on scenes that I had particularly loved on set and explained why, which made the editing process much easier and helped preserve the intention behind those moments.

I really loved working with Rosie, and her continued engagement throughout the post made me feel genuinely supported.” Olivia Lifungula, Dir Glory.

Script Supervisor Credits // Narrative Shorts.

“Glory” Dir. Olivia Lilifunga - BFI Funded 2026 // “Niki is a Grown Up” Dir Jenna-Louise Hawkins 2026 // “Ma,Me” Dir. Rose Wardle 2026 //“Little Rubber Jonny” Dir. Kit Sinclair & Josie Alexandra 2026 // “Mugged” Dir. Sarah Nouqet 2026 //“Blades of London” Dir. Boris Steele 2026 // “Cliff Edge” Dir. by Heloise Lowenthal 2026 //